Aidan Ryan “Organizing Isolation”


Organizing Isolation
by Aidan Ryan
2017
Hardcover, 72 Pages
Digital on opaque gray. b&w w/ color plus inkjet interleaves
Letterpress cover, post-bound with red bookcloth spine
Edition of 100
Order here
LINOLEUM publishes artist books, zines, editions, and other printed matter, with a special emphasis on contemporary photography, drawing, media practices, poetics, and creative-critical writing, including essays, interviews and poetry. Founded in Buffalo, NY, 2013.
Organizing Isolation
by Aidan Ryan
2017
Hardcover, 72 Pages
Digital on opaque gray. b&w w/ color plus inkjet interleaves
Letterpress cover, post-bound with red bookcloth spine
Edition of 100
Order here
Recommended reading. There’s a lot here, even more running between the lines. Proud that Linoleum shares a home city with ATAK.
Nick Torsell’s work adorning the cover of this weeks’s PUBLIC.
Read the PUBLIC.
Buy Nick’s Book.
LINOLEUM is here. If you’re anywhere near Philly this Friday or Saturday, come see what we’ve got. Proud to be under the same tent with Light Work, Mossless, Vox Populi, Paper Safe, MACK, and whole bunch of others.
A two-day Philadelphia art event featuring exhibitors from photography and art book publishers, small and large, to individual artists and institutions, as well as lectures from key artists and bookmakers.
Great writing by Vanessa Albury at Huffpost on Rachel Rampleman, “Baby’s On Fire,” and her new book from Linoleum Press.
Rachel Rampleman introduced me to the NYC-based, all-ladies Mötley Crüe tribute band, Girls Girls Girls one Saturday night in early 2014 during a visit to her Brooklyn studio. The band was getting ready to play their last show and I was inv…
Hi. We’re here today. Come get see the new and old stuff. Obviously this is the time to get Rachel’s book “Baby’s On Fire,” and also grab “Startling New World” by me and Emily Churco.
Karpeles Manuscript Annex on Porter, down the street from where the Patti Smith thing was.
Preview: Cover of Rachel Rampleman’s “Baby’s on Fire,” a collection of photos and video stills from several of her major bodies of work.
Proudly published and designed by Linoleum Press.
Proudly announcing “Baby’s on Fire,” an aberrant introduction to the photo and video work of NY artist Rachel Rampleman.
Along with sequential stills, photographs, and installation views, “Baby’s on Fire” will also feature contributions by a variety of curators, artists, and writers introducing or responding to Rampleman’s recent projects.
Digital press, risograph, and other. Signature bound. 40 pages. Limited edition.
Available April 14.
Out in two weeks. Yes! We are so excited for these authors, artists, and titles on the way.
Hope you’ve got an appetite.
Besides the fact that Mark has inspired thousands of photographers and photography fans, he’s personally a respectful, intelligent person. He has quickly taken down any and every post anyone has ever contacted him about. His blog is massive (thousands of posts) and popular, so it is inevitable that he will get a few complaints a year.
Tumblr needs to restore Mark’s blog not only because it’s one of the best resources for photography on the internet, not because Mark has personally poured so many hours into it, but because why should anyone else use Tumblr as a serious platform, if this might be the result? As I wrote two years ago, Tumblr still has no backup. Anything you make here can be deleted without warning.
Mark’s blog was a huge source of inspiration (and links) for Issue Three. I mentioned his blog in my opening essay to the book, it really was wonderful.
Photographers who are unhappy with their work being posted on blogs (especially those who give detailed credit) should approach those bloggers personally. We are not unknown to taking down posts by request. Going for a DMCA takedown is uncalled for. It is also up to the Tumblr staff to take a more sensitive approach than the simplistic 3-strike rule they currently have instated.
I’m sure that if all our voices are heard, Mark’s blog will be reinstated. The photography community needs spaces like his.
I know I never post text/music/reblogs on this account, but this merits it absolutely. Mark’s blog is, among many admirable things, a model for crediting authors of digital content, and in my experience he is an exemplary advocate and champion of emerging artists working in photography in the digital age. His work is more than a part of my daily life, it’s also a sure thread woven through the binding of this creative community.
(via saysomethingbright)
Something I made.
Here’s a mix I made. Download it here.
1. Angela Davis “Making a Difference [excerpt]”
2. Gil Scott-Heron “New York is Killing Me”
3. CAN “Last Night Sleep”
4. Kraftwerk “Tanzmusik”
5. Harmonia & Brian Eno ‘76 “Welcome”
6. Burial “Forgive”
7. Tycho “Coastal Brake”
8. The Raveonettes…
Proud to be a part of “Borders” along with LINOLEUM artists Candace Camuglia, Emily Churco, and Nick Torsell. Opening reception and magazine release party is Friday, October 3, 6-10pm at Block Club.
Stuff’s happening. Come see what’s up Friday night, when Issue 37: #Borders launches. #bcm37 #tapeart #buffalony @buffalosugarcity @aimeebuyea (at Block Club)
We Buy Gold by Emily Churco & Joel Brenden [2014]
44 pages / b&w/color / 5.25”x 7.25” / saddle-stapled / edition of 75, numbered
For this follow-up to 2013’s “This is Paradise,” Brenden and Churco have once again selected their personal favorites from each other’s past year of snapshots and gathered these together in another weird and wonderful little volume.
Order it HERE.
SEE IT AND LEAVE by Nick Torsell [2014]
44 pages / full-color / saddle-stapled / color cover w/ screenprint wrapper / 5.25" x 7.5" / edition of 75
Buffalo’s scenic character is an endless tapestry of suburban interstices, dubious commercial architecture, and subdued pastorality. The accidental tableaus and subdued rhythms of this place are wonderfully captured in Nick's color 35mm photos, all from 2013. The images are equal parts affectionate and deadpan, emerging from a relationship to environment that seems, magically, both intimately familiar and near-completely detached.
Order it HERE.